La Serenissima

The horses of Saint Mark, a set of four bronze horses, are one of the emblems of Venice, but few tourists know the history behind them. To anybody interested in delving deeper into the past of this fascinating city, I recommend Roger Crowley’s City of Fortune: How Venice Won and Lost an Empire. For a history book it’s very readable and it has got it all: heroes and villains, acts of great bravery and cowardice.

But back to the horses: they used to be displayed at the hippodrome in Constantinople, but after the sack of the (Christian) city by the (Christian) Fourth Crusade, Enrico Dandolo, the doge of Venice sent them back as part of his loot. He must have been quite a character, nearly eighty and completely blind, but he still took an active part in the siege of Constantinople. He and his crusade were also excommunicated by the Pope before they even left the Adriatic!

This was the time that La Serenissima won the beginnings of its empire from the Byzantines, yet also planted the seeds of its downfall by creating a power vacuum that the Ottomans later stepped into. The book charts the rise of the city, but also shows the forces that eventually led to its fall.

Not knowing a lot about the period or the area beforehand, I found it interesting to read about this merchant nation that pioneered a lot of ‘capitalistic’ inventions: the idea of profit not honour or glory as prime national goal, citizens that were strictly equal before the law, fitting ships out on an assembly line and even the first tourism. Ferrying pilgrims to the Holy Land was a lucrative business!

We have to thank the Venetians for bringing new ideas and books from the East that fuelled the Renaissance, but their ships of course also carried the rats that brought the plague with them to Europe. In the end feuds with their neighbours, especially Genoa, while ignoring their common enemy, the Ottomans, plus the discovery of new routes around Africa and the New World spelled the end of their empire.

Roger Crowley tells a good story and he knows his stuff. The horses, by the way, were later looted by Napoleon and briefly graced a triumphal arch in Paris. However, after his defeat they were returned.

To Venice, not Constantinople…

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Bitterblue by Kristin Cashore

Sometimes I buy books and then don’t read them until months later, but not so with Bitterblue, which I’d very much looked forward to. Yet while I really enjoyed some aspects of it and would certainly recommend it to read, overall my expectations (admittedly pretty high) were slightly disappointed.

I thought it started well. Bitterblue, a character introduced in Cashore’s first novel Graceling, has grown up and is grappling with her role as Queen of Monsea. Her father Leck had the magical talent of making people do and believe what he wanted just by telling them so and used it to terrible effect (for the full story I recommend you read Graceling). Bitterblue and her mother managed to fight the mind fog sometimes, but still she’s struggling to get parts of her memory back. In an attempt to get to know her kingdom better, she sneaks out one night into the city and stumbles into a viper’s nest of questions. Finding answers to them and paying the price for it takes up most of the rest of the book.

Bitterblue is a very engaging heroine. Unlike the main characters of Cashore’s other two books, she has no outstanding magical abilities, which makes her more accessible. She has an orderly mind and likes Maths and displays an admirable drive to find the truth and do right by her people. However, the main focus of the novel is really on the plot with all its tortuous twists and very much driven by the events of the past – as she remarks at one point, nearly a decade after his death, Leck is still killing people. Fittingly, important themes of the book are puzzles, keys and ciphers and Cashore has even invented a beautiful whole new alphabet.

But while I enjoyed the many plot twists, I found too few engaging characters apart from Bitterblue (although I liked the tetchy librarian!). Some of the characters from the other books make brief cameos, but apart from Po they remain pale shades of their former selves, which I thought a shame. As for the love story, such a strong element in Cashore’s other novels, it’s a complete disappointment!

The worldbuilding seemed slightly weaker than usual. Bitterblue lives in a castle and runs a kingdom, yet there is not a single courtier in sight. And though she’s enormously wealthy, nobody ever seeks any favours or advancement. Also when you think of it, she might not even be the rightful queen. Her father usurped the throne and there might be some distant cousin of the former king with a better right to the throne (just think of the complicated succession debates during Tudor times).

Yet having said all that, the book is still a good read. Kristin Cashore’s style is very smooth and absolutely lovely to read and I enjoyed how she explored different themes such as the importance of memory or the question of guilt. Leck left an enormous mess behind and it’s very realistic that killing him is not the solution to all the kingdom’s problems.

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A blog of my own

Do I really need a blog when there are so many out there already? That’s what I asked myself when I first had the idea of designing a website of my own.

On the other hand I often stumble on small nuggets of knowledge that I’d like to share with others. Admittedly they’re usually quite useless (unless they come up in the last round of one of those ‘who wants to be a millionaire’ shows. If that ever happens to you and you win, let me know!), but if I find them interesting, so might my readers.

Also I think it’s difficult to find good books out there – although people’s definition of ‘good’ varies of course – so I’d like to recommend the occasional read every now and again. Anyway, I decided to give it a try and I hope that you’ll find it interesting. Only be warned that this will probably be quite an irregular blog!

Well, and since this is the very first post, I thought I’d write something about Katsushika Hokusai, the artist who did the paining of the hawk I’m using in my banner (you can see the full picture here). You might wonder why I chose a hawk: it is because Medyr, the protagonist in my first original story, comes from a family that calls itself ‘The Hawks of Aneirion’. So when by chance I stumbled upon this beautiful picture I knew I had to have it on my website. I love the fine detail of the feathers (and as it happens, feathers matter to Medyr, but that’s another story).

But back to Hokusai. He lived in Japan during the Edo period, when Japan more or less closed itself off to all foreign influence, and his most famous work is ‘The Great Wave off Kanagawa’.

There are several stories told about Hokusai, but the one I like the best runs like this: he was invited by the ruling Shogun Iyenari to compete against another artist who painted in the traditional Chinese brushstroke style. This was an unusual request, since Hokusai was a painter of the Ukiyo-e genre, whose subjects usually consist of the courtesans and Kabuki actors of the ‘floating world’. However, unimpressed by the honour done him, Hokusai simply painted a blue wave on a piece of paper and then chased a chicken across, whose feet he had dipped in red paint. To the astonished shogun he explained that his painting showed the Tatsuta River in autumn with maple leaves floating down the water, whereupon he was declared the winner. I wonder what the other artist, who had probably barely begun his own work, thought of it, but I have to say, I love the idea of this scene!

 

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